Each year in February, when the days are getting longer but the snow has no thought of melting, the Fairbanks Association for the Arts holds a writers’ workshop, Writing in the Dark. This year it was February 19, and the facilitator was Peggy Shumaker, the Alaska Writer Laureate.
Peggy is the passion behind the Creative Writing program at the Fairbanks Summer Arts Festival (SAF), which I’ve been attending for years. Last summer I invited students to post their work as comments on this blog, and I am doing the same thing for Writing in the Dark. Attendees, just put in whatever you want to share as comments, and I’ll approve them as soon as I get the notification.
We started the way we always start the first day at SAF: spend 5 minutes talking to the person next to you and then introduce him or her to the group. We had the usual mix of writing instructors, people who struggle to find an hour or two to write (not excluding the writing instructors) people who weren’t at all sure they could write, people who wrote regularly, and even some published authors.
Then Peggy handed out two 1-page essays: “What I Could Eat” by Brenda Miller, and “The Boy Who Couldn’t Conform” by Jim Heynen. Our initial assignment was to come up with writing prompts from reading these two essays. I have problems reading my own notes (and the acoustics of the room did not help) but some of the ideas from the first essay were:
Write a scene within a scene
Describe a day with intense emotion below the surface
Use food to talk about an emotion without saying what that emotion is
Write something with movement
Thoughts may not follow what you see (and describe)
Write about a time when you understood what motivated another person, but a person with you did not (Corollary—suppose you were quite wrong?)
Visiting a place that evokes deep emotions
Use sensory images

Most of the atendees, after lunch. I'm third from the left, and Peggy's in the center. Help in identification is welcome!
We didn’t discuss the prompts each of us got from the second essay, but the one I used (I will put my piece in as a comment) was that a person’s outer behavior may appear quite different from what that person is experiencing inwardly.
Peggy also handed out a book, A Measure’s Hush, by Alaskan poet Anne Coray, and asked us to find a line from one of the poems and use it as a prompt.
The rest of the day we wrote, shared our writings and commented on each others’ work. Toward the end we discussed editing and publishing problems.
I’ll put what I managed to write in the comments. I hope mine aren’t the only pieces there!
He woke screaming. Not physically, he’d learned better than that, long ago. Not even with movement. But his mind twisted away in horror from what he’d felt of the guard’s death.
It wasn’t me, he kept telling himself. He meant to kill me, only he died instead. But I didn’t do it! How could I? He was way bigger than me. He must have just lost his balance.
Sure, something else whispered. He just lost his balance and fell over a balustrade higher than your head. You couldn’t make him fall over that. But one of the Masters could. Only they weren’t around.
He shoved the thought down. Sure, he had some odd abilities. The bones that he’d felt snap when the guard had slammed him against a wall were already half knit. But that wasn’t the kind of ability the Masters had. Was it?
It was almost eight years before he could face that memory again.
(author’s note: This is actually a bit of back story from Homecoming. The novel includes a scene where the aftereffects of this bit have to be dealt with.)
A FEW FINE BOOKS BY ALASKAN POETS
Bradfield, Elizabeth Interpretive Work and Approaching Ice
Burleson, Derick Never Night and Melt
Burwell, Mike Cartography of Water
Chadwick, Jerah Story Hunger
Cole, Marjorie Kowalski Inside, Outside, Morningside
Coray, Anne A Measure’s Hush
Bone Strings
Violet Transparent
Dauenhauer, Nora The Droning Shaman
Dauenhauer, Richard Glacier Bay Concerto
Davis, Olena Kalytiak Her Soul Out of Nothing
Shattered Sonnets, Love Cards,
and Other Off and Back Handed Importunities
Diemer, Gretchen Between Fire and Water, Ice and Sky
Enzweiler, Joseph A Winter on Earth
Stonework of the Sky
Haines, John The Owl in the Mask of the Dreamer: Collected Poems, and many other titles
Hardy, Cynthia Beneath a Portrait of a Horse
Hollowell, Erin Pause, Traveler (forthcoming)
Jones, Arlitia The Bandsaw Riots
Kane, Joan The Cormorant Hunter’s Wife
Morgan, John Spearfishing on the Chatanika: New and Selected Poems
Nickerson, Sheila To the Waters and the Wild: Poems of Alaska
O’Donnell, Nicole Stellon Steam Laundry (forthcoming)
ogpik, d.k. Effigies (with Cathy Rexford and two Hawaiian poets)
Philpot, Tracy Incorrect Distances; Distance from Birth;
Original White Animals
Prescott, Vivian Faith Hide of My Tongue
Rexford, Cathy Effigies (with d.k. okpik and two Hawaiian poets)
Saulitis, Eva Many Ways to Say It (forthcoming)
Sexton, Tom For the Sake of the Light: New and Selected Poems
Shandelmeier, Linda Listening Hard Among the Birches
Shumaker, Peggy Gnawed Bones and Blaze (and others)
Straley, John The Rising and the Rain: Collected Poems
Tallmountain, Mary The Light on the Tent Wall: A Bridging
Continuum: Poems
Thomas, Amber F. Eye of Water
Books recommended by Peggy Shumaker, Alaska State Writer Laureate
http://www.peggyshumaker.com
My apologies for the formatting; I’m at war with wordpress–Sue Ann Bowling